Showing posts with label review. Show all posts
Showing posts with label review. Show all posts

2013 - A Year in Review

As the new year approaches, it's hard not to look back on what occurred in 2013.  At least with regards to my own writing career and the Writing in the Modern Age blog, a lot has happened.  Reflection is my topic for today.

My writing journey really began years ago, but the turning point was in August of 2012 when Solstice Publishing accepted the manuscript for Upon Your Return, a historical romance. The book is available now, and I recently signed a contract for a paranormal romance with them as well.  I am very lucky to still be with such a talented group of professionals and authors at Solstice. I have also done quite a bit of self-publishing in my career.  I have published 17 books total.  This year, I went back and redid all of the covers on my books.  I also released a new book, Leather and Lace, a romantic suspense, in November.  Some of my books are shown on the right side of the blog here, but you can see a whole list along with the covers on my website.

Let's move on to the blog!  Though Writing in the Modern Age had its roots in 2010, the true idea for the blog didn't really take shape until after Upon Your Return was published in February.  I always knew I should have a blog.  I actually had two, Writing the Modern Age, of course, and Marie Lavender's Books.  I didn't use them too often, just blogged whenever the idea struck me, whenever I had a message to impart about writing or publishing.  I think I always had a clear plan for Writing in the Modern Age, however.  The goal was to have a place to talk about writing, to encourage would-be authors to keep at it.


I have learned a lot about writing both from practice and from my courses through school, especially when I pursued Creative Writing in college.  I also learned about the necessity for community, a group of people willing to encourage one another in their own talents.  Since I started self-publishing in 2010, I have learned a lot about that as well, but that is a discussion for another time.

With Writing in the Modern Age, I wanted to create a haven for authors and even writers who hadn't been published to come for advice.  But, let's broaden that a bit, shall we?  A blog should target a bigger audience.  When my publisher suggested I start a blog, I only had to choose which one to focus on since they were already launched.  When I read about the idea of guest blogs and author interviews, I realized it could be for the readers of books too.  I wanted readers of any genre to come to the blog.  The project became really exciting.  I put the word out, hoping I would get a bite.  In the meantime, I started writing a blog post or two of my own.

Then suddenly, I had a stroke of luck.  People wanted to be heard.  And why not?  Everyone wants to feel like they have something useful to tell the world.

 
In any case, my blog schedule began to fill up pretty quick.  I am so grateful to Stefan Vucak for being the first guest author on the blog.  Since then, I have found his articles and interviews both on the blog and elsewhere to be very helpful. As I started gathering more writers for the blog, the advice they offered became exponential. From the first guest author this year, Stefan Vucak, to the last one we just had, Murray Alfredson, we have had writers from all walks of life and writers from numerous genres.  I don't know how many times people approached me and said, "I want to do something on the blog, but I don't write romance."  So?  We're all writers!  Let's band together. 

I want to go back to that word "community" again.  In running the blog, I have met so many fellow authors and writers, many I have created friendships with.  I guess that is the nice thing about social networking.  You meet people you wouldn't have met otherwise.  I have always respected my fellow writers.  There is room for all of us in the marketplace.  We all have different journeys and backgrounds, but we want the same thing - to be published, of course, but also to gain some kind of community with other writers and readers.  I think we need support in any profession.  Why not with writing as well?

Before I digress any further, I want to say that Writing in the Modern Age has come a long way since its inception.  We offer author interviews, articles about writing, book promotions and poetry spotlights.

As the blog took shape since the first guest author post in March of 2013, I have truly enjoyed reading all of the articles, responses to interview questions and poetry appearing on the blog.  Writing in the Modern Age would not have been the success it is without its authors and contributors.  So, thank you all for making this a wonderful venture.  It has been such a lovely ride.  All of your advice to fellow writers has been just as useful to me, and I have discovered some new favorite authors in the process.


In June, I opened the blog up to poetry.  I had always dabbled in poetry a bit and I loved reading it.  After connecting with a few poets and joining a Facebook poetry group, I suddenly saw a need to exhibit such lovely work on the blog as well.  Since then, our poetry spotlights have really taken on a life of their own.  Some poets have even offered to explain their poetry styles and I didn't hesitate to include that in their posts.

I really have to thank you all again.  Each time I post a new interview, article or set of poems, I get a little thrill of excitement.  The experience of being an administrator for Writing in the Modern Age has been truly rewarding for me.  I think the whole purpose of the blog for me has been to give back to readers and fellow writers in some way.  What better way is there to do that than to give everyone a moment of their own?  This is also one of the reasons I only do interviews on Mondays and guest posts on Fridays.  It gives readers a chance to see each post if they missed it the day it posted, and time to comment.  That is one more thing I have enjoyed.  I love to see readers commenting on authors' posts.  It tells me I have done my job trying to promote the author.

I can't say enough how rewarding this experience has been.  It has also helped me keep up on my alternate blog, Marie Lavender's Books.  I have met so many fascinating people through the process of maintaining the Writing in the Modern Age blog.  My close writer friends know who they are.  I'm sure we might have met somewhere down the line, but to meet through this kind of venture was so fun.  There are so many talented people appearing on the blog.



As the year comes to a close, I want to draw attention to some wonderful, gifted writers.  You have all made the blog a complete success.  People are joining and looking at the blog all the time.  Writing in the Modern Age is your creation too!


Readers, feel free to subscribe for future posts and look back through the archives for all the posts from our fascinating writers.  For a faster search, look up the hashtag #WritModAge on Twitter for past posts.

Here is a list of our spotlighted writers this year as well as links to find them and their books:


If you are an author who would like to appear on the blog in the future, my contact information is at the bottom of the blog.  Once again, thank you all for making this year on Writing in the Modern Age amazing!  :)

Book Review for Rita Plush's ALTERATIONS

We are blessed to see a review today for Rita Plush's book Alterations.


Alterations Book Review

Source:   Dan's Papers
Reviewer:  Joan Baum 
Review Date:  June 20, 2013
  
Alterations, by Rita Plush (Penumbra Publishing), who’s had a house in East Hampton for over 25 years, is a great collection of stories in which the author shifts from a group of domestic tales full of Yiddishkeit (“Brooklyn Brisket” is the first offering), starting with a young girl (the author moves easily from third to first person point of view), to five linked stories that conclude the volume and evidence Plush’s skill in creating a male point of view. The talks, which originally appeared in various literary magazine, stand alone, but as a collection “come full circle” as explorations of a common theme—the aching need for family. Plush knows when not to resolve delusions or disappointments and when to leave readers with an open-ended, haunting sense of curiosity. As Jack Paul in the concluding stories muses, “When you had it in your mind [people] knew only one song, they turned around and sang you two others.” Life’s like that; ragged, leaving you more times than not waiting for an expected or hoped for denouement which may or may not come.  


All 18 stories in the collection (is this number an accident? In Hebrew, the symbol “18,” or chai means living) imaginatively and cleverly explore how characters are altered by their circumstances—some heartbreakingly so. Will there be a dry eye after reading “Love, Mona?” Plush manages to integrate specialty lore here, about woodworking, not to mention the wholesale clothing business and interior design industry. She also knows how to capture attention immediately, as seen in the opening of “The Blatts”—“When I was a teenager and knew everything, I lived with my family in a modest plastic slip-covered house between two neighborhoods: one very expensive, the other run down". Each detail opens up as the story develops. 

The wonder of these stories is how Plush constructs different characters and situations with ear-perfect rhythms and silences and fashion images that spot-on reflect various cultures, classes and ages. Then, again, those who have read Plush’s novel Lily Steps Out  (2012) with its richly drawn complex central character who finds her voice and identity after years of going along, it’s no wonder. In the last tale, "Feminine Products,” Lily makes a welcome cameo.


Author Bio
 
I am an author, teacher and interior designer. Before my short stories were published as the collection Alterations (Penumbra 2013) they appeared in many literary journals including The Alaska Quarterly Review, The Iconoclast, The MacGuffin and Passager. I am also the author of Lily Steps Out (Penumbra 2012), the novel of a middle-aged woman who, sick of making beds and cooking meals, steps out of the comfortable domestic life she knows into the business world. I have lectured on interior design and the decorative arts at libraries throughout Long Island, at Hofstra University and CW Post-Hutton House. As the Coordinator of the Interior Design & Decorating Certificate at Queensborough Community College, I teach several courses in the program.




 
 


 

 

Book Reviews for Mira Prabhu

We are blessed to see two reviews today for Mira Prabhu's book.


Book Reviews of Whip of the Wild God by Mira Prabhu


Whip of the Wild God
Source:   The Prediction
 
All too rarely, you come across a novel that gallops you off into the biggest adventure of your life. It flips your emotions from soaring glee to hair-yanking horror, feeds you pearls of delicious wisdom that you know you’ll savour for years to come, and makes you want to sob when you turn the last page. We’re lucky enough to have come across one such book with Mira Prabhu’s Whip of the Wild God: A Novel of Tantra in Ancient India.

The story follows the exquisite Ishvari, who, as a 12-year-old girl, is plucked from poverty to be trained as the esteemed High Tantrika – a priestess of sensual love. Her mission is to raise the kundalini of the corrupt king and, in doing so, rescue her land from the spiritual squalor that is encroaching with the rise of civilisation. Reading it, we lurch from vicarious highs to despairing lows as Ishvari teeters on a tightrope between spiritual enlightenment and fleshy corruption. It’s got more sex (Tantra), drugs (charras) and rock and roll (emotional roller coastering) than Woodstock. But that’s just the story.

The real gleam of Mira Prabhu’s novel is in its fascinating exploration of yoga, Tantra, kundalini, Advaita and other ancient Eastern teachings. These pearls of true wisdom are sewn into the fabric of this bristling adventure with such skill that you wonder how this vivid tale can also be such a seminal spiritual tome? This is the sexy big sister to Paulo Coelho’s The Alchemist, and the Eastern answer to Elizabeth Haich’s Initiation. Everyone really does need to read this book! 


Author Bio
 
I was born in India and moved to New York in my mid-twenties. It was during my tumultuous residence in Manhattan that I first became fascinated by eastern philosophy’s power to transform the genuine seeker. So, during the freezing winter of 1993, I began to write Whip of the Wild God, a novel of tantra set in an ancient civilization reminiscent of India’s famous Indus Valley Civilization. I completed this novel–believe it or not!–twenty years later, in the shadow of Arunachala, the ancient hill considered by millions to be the God Shiva incarnate.




Three more novels are currently simmering in my consciousness–Copper Moon Over Pataliputra, set in the time of the magnificent Mauryan Empire (300 BCE, India);Krishna’s Counsel, a contemporary novel (the genre: metaphysical crime fiction!), set both in India and New York, and a third, untitled, in which I intend to present the spiritual “view” necessary for seeking moksha, or enlightenment–a unique and perhaps controversial view I have garnered from my travels and study all across the globe–from south India to Manhattan, to the foothills of the Himalayas, Europe, and finally back to south India.



I now live in the deep south of India, hanging out with my divine canines, Kali and Aghori, delighting in my growing garden, and continuing to mine my own creative and spiritual potential.





 



Reviewer: SUSAN M. GRIFFITH-JONES
Source:  Republica (Nepal)



Whip of the Wild God is a breathtaking account of life in the Indus Valley of ancient India in which the author, Mira Prabhu, has enchantingly captured a cultural, spiritual, and historical kaleidoscope of those times and places. In a world setting of nearly 4,000 years ago, we are taken on a joyful and enchanting ride throughout this brilliant narrative, woven with articulate words, and a skillful understanding of the subject matter.

Bringing resplendent life to all her characters in a way that allows us as modern people to also resonate with their pleasures and struggles, Prabhu’s words dance from page to page, carrying us through the life of the protagonist, Ishvari, from her days as an outcaste child in an indistinct village of the valley, to her times in the palace of the capital city with the king and his retinue who are as scheming and problematic as any modern-day politicians and leaders. 

Her role is not merely as a “queen” within the fabric of royal life but also as a high priestess, savvy in the ancient practice of Tantra. Indeed, throughout the story, the reader is articulately taken through the very intricate and difficult to understand techniques of the ancient Tantric arts so that one can understand their necessity as a panacea to the daily struggles of ordinary life.



Between leaving her village and becoming the high priestess of the kingdom, Isvari has to pass through a special school for initiates into such arts. Here, we can easily relate to each individual on this course of education, struggling with emotional traumas, just as ordinary people do. However, through continual instruction in many methods that can lead them to overcome such mind problems if they apply the effort of practicing them, they may go beyond such difficulties.

Ishvari, who stands out as the most capable of the students, has a very special mission to accomplish that only a very secret aspect of the Tantric path can avail. For the wayward king of Melukha, a powerful and demonically possessed individual, needs his ‘true’ or ‘highest’ life force energy activated in order to bring his mind back under control.

The most effective and indeed the only method to do this would be to ‘alter’ his inner energy structure whereby his entire system would be pervaded by a higher force of energy, known as ‘kundalini.’ Held as he is by the lower forces of his own ego, this currently lies hidden and dormant within him.

Portrayed as the only hope for the rectification of society’s evils, his consort Ishvari, who has been trained to initiate this process of the activation of kundalini through special techniques of sexual practice, would cause his mind to bring forth its peaceful and compassionate aspects once this energy are aroused in his system. As a leader of the people, these qualities would reflect throughout the kingdom, and the negativity sweeping through society will thus be reversed.

However, things are not as straightforward as they may seem in theory, and Ishvari has to suffer greatly and face much personal strife in order just to stay alive in her role. In an arena that one would consider to be influential and privileged, she suffers the most pain and sorrow, turning to partial destruction of herself just to escape the pain of the reality she is forced to live in. Thus we see her fall again and again into the magnetic attraction of vice and, right to the end of her path stumble into the pitfalls of her own ego.

As readers coping with our own lives, we can identify with Ishvari who, having been put on the highest pedestal with the best training and helped along the way by many teachers, still has her weaknesses. When we see that she has not just magically been transformed into some kind of ‘goddess’ status, we too feel capable of undergoing such a path of spiritual awakening.

Throughout the story, the modern symbolism is apparent. Today, as in the ancient city of Melukha that Prabhu describes, our countries and cities are controlled by the same demonic forces as in Whip of the Wild God and our need to merge our inner spiritual force with the outward practical necessity to survive in the world proves tantamount for changes to be effected throughout the world.

It is still pertinent that these Tantric arts are still available to aid the resurrection of humanity out of its lower habits, and that all of us as humans, who have the potential to use our greater energy force locked within ourselves, may be the catalysts of such ameliorative changes if we were only to apply time and energy to learning and practicing such skills.

The entire path of Tantra, according to the ancient knowledge, is shown here; yet it is portrayed in a way that is totally approachable within the modern-day context, too.









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